From early, I was drawn to art education because I understood that observing implies the subjectivity of what we see. When I dedicated myself to architecture, I came to realise that the practice of the profession goes beyond the technicality of organizing spaces.I love drawing natural elements because I came to appreciate that the complexity of each form teaches how to understand the properties of human nature. In my view, drawing is a kind of experiment on the two-dimensional (im)materiality of available materials to be applied to paper supports.On the other hand, my experience in architecture allows me to create works as projects, applying the methodology of building with preferably ecological materials.The process of creating a drawing can be compared to the construction of an architectural project or a musical composition. It has its own conception phases, which can be likened to the creative processes involved with an architectural project or a musical composition. Alternatively, it can choose to remain at a certain stage.The materiality and temporality of each work are subjected to analysis. And "style" (stylistic conceptions as methodology) is not sought, as it is perceived to be a limiting factor in the representation of ideas.